Temporada 1 · Rizomas en Combustión · JVV-T1-30

Post-human poetry: verses written by bacteria and GPT

I The alphabet breathing in the Petri dish

Imagine a poem that blooms —literally— on agar gel.
In the darkness of an incubator, E. coli modified with fluorescent genes lights up green syllables; each colony expresses one line and, on dividing, recomposes the verse.
At the same time, a multimodal GPT model watches the plate, describes the bacterial dance in sensory prose and suggests chromatic mutations for the next stanza.

Biology writes, the machine answers; the human watches the poem turn outside their own throat.

Welcome to post-human poetry, where authorship evaporates among enzymes, GPUs and a hand that barely curates.

II Three matrices of writing beyond-the-human

  1. Living bio-verse

    • CRISPR paints codons that yield chromatic proteins: ACG → blue, TTA → red.
    • The genetic sequence = the metre; a random mutation makes an unpredictable internal rhyme.
    • The poem lives until the antibiotic arrives: expiry as an aesthetic resource.
  2. Transcreating AI

    • GPT-o3 ingests lyric databases, but also ECG readings and spectra of burnt forests.
    • Output: verses that change with your pulse or the local air quality — poems as emotional and ecological dashboards .
  3. Calligraphic robotics

    • Delta arms print conductive ink onto mycelium parchment; humidity sensors alter the conductivity and, with it, the legibility.
    • Reading becomes a performative act: you need an IR torch to reveal the living ink.

III Ontological questions: who signs the poem?

Approach Answer Ethical tension
Human-centred The human is the author; the others are exotic pencils. It makes microbial / algorithmic agency invisible.
Co-authorial A joint signature (H. sapiens + E. coli + GPT). How does a bacterium split its royalties?
Post-authorial Nobody signs; the work is an autonomous process. The art market collapses or co-opts it as an “experience”.

Authentic post-humanism demands giving up the ego of ink, accepting that the verse can survive —or mutate— with no human witness.

IV DIY tools and protocols

  1. 01

    Plasmid-Poetry Kit (open-source)

    • Plasmids with fluorescent genes, a safe electroporation protocol.
    • A Python script that turns text → codons → colours.
  2. 02

    Heartbeat-to-Lyric API

    • A PPG wristband + a GPT endpoint: every beat > a variation in the line.
    • Code under GPL v3 to prevent proprietary capture.
  3. 03

    Mushroom Scrolls

    • Mycelium cultured on cellulose: hydrate it with a spray of words (edible ink).
    • A vision AI counts the sporulation patterns and returns them as haikus.

V Paradoxes in an oscillating verse

  • Anthropocentric curation — You end up picking “pretty mutations”; the symbiosis is still domesticated.
  • Bio-biohazard — Is a bacterial poem an open GMO? It needs laboratory ethics and environmental consent.
  • Input overload — A saturated GPT produces aesthetic over-fitting; a risk of synthetic cliché.
  • Differential time — The bacterium beats in hours, the AI in milliseconds, the reader in minutes: a fascinating and chaotic synchoreography.

VI A short manifesto for a multi-species verse

  1. Textual ecology — Every poem must declare its biological and energy footprint.
  2. Micro-author rights — Protocols of reciprocal bio-copyright: if you use a living organism, reinvest in its habitat or in a biobank.
  3. Lyric compost — Expired works are composted (physically or digitally) and make the substrate for new creations.
  4. Reading-ritual — Exhibitions that include microscope observation, AI debugging and a symbiotic tasting (kombucha-verse, for instance).

VII Coda: what does the cell hear when we read?

Perhaps the verse needs no human ears; perhaps the vibration of one cell membrane is enough to say poetry is alive.

Poetic post-humanity does not annihilate sensibility; it redistributes it among silicon, DNA and fingers that barely guide.
And there, in the UV half-light of a laboratory-gallery, the bacterial colony blinks: a green hendecasyllable beating at 37 °C.
The GPT suggests a title —“Photosynthesis of a farewell”— and the work closes, knowing it will mutate again tomorrow.

James Void Voyage · 19.11.2025

ecología / clima · laboratorio · 3 movimientos · 650 palabras